#Hotel mogul level 23 movie

What was the inspiration behind choosing that specific song for that scene? Is it a case of if you’re going to listen to Kylie Minogue you might as well go back to the classics? One of the things I really loved, and it’s the smallest detail, but it amused me – and it seemed to amuse the audience I saw this with too – when “Locomotion” is being played. We did our own research, and took a lot from our own lives of visiting pubs and meeting people, and we were able to dream up a lot of the circumstances in the film through that.

( Hotel Coolgardie) is definitely a big part of the fabric of ( The Royal Hotel), but we never really ripped it apart in that way. It was kind of that thing where it forms the bones of the story, and then we’re adding our own muscle and skin. I watched ( Hotel Coolgardie) twice, and Oscar (Redding), who I wrote it with, watched it once, and then it just sat in the back of our brains versus going through each scene.

That was exciting for me (and) that became the driving force to dig into making (the story) fictional.ĭid you find it difficult in deciding what to dramatize for the story? Was there anything you took from the documentary itself and embellished? Or was it more just the basis of that story and The Royal Hotel was an expansion? Having those characters through that lens that made you want to root for them, I guess. I saw the documentary, Hotel Coolgardie, and I felt like there was something in it (about) just seeing that whole environment from that point of view. I think in taking (the story) on like that was interesting. Was it always the idea to subvert that genre trope from the beginning? We’re so conditioned as audiences to expect the worst of a film that sets up two females in the Australian outback. I love that it went in a completely different direction than where I imagine a lot of people will expect it to go. I briefly spoke to you following the film’s Australian premiere at SXSW Sydney, so I will reiterate my congratulations on the The Royal Hotel. Bar owner Billy and a host of locals give the girls a riotous introduction to Down Under drinking culture but soon Hanna and Liv find themselves trapped in an unnerving situation that grows rapidly out of their control.Īhead of the film’s local release (it’s set to open November 23rd), Peter Gray spoke with Green about subverting the tropes of the thriller genre, committing to unhappy endings, and how international audiences have been perceiving her film in a much different manner than expected. After they run out of money, Liv, looking for an adventure, convinces Hanna to take a temporary live-in job behind the bar of a pub called ‘The Royal Hotel’ in a remote Outback mining town.

#Hotel mogul level 23 movie

After the uncomfortable mastery of The Assistant, an increasingly intense drama following the daily activity of an assistant to an insidious, powerful movie mogul, director Kitty Green easily placed herself on the map of filmmakers to follow.įor her sophomore feature she’s maintaining that sense of dread – though she would beg to differ – for The Royal Hotel, an Australian-set thriller about Americans Hanna (Julia Garner) and Liv (Jessica Henwick), best friends backpacking across the country.